Hey!
My name is Sasha Piankov — I’m a musician and producer based in Slovenia. I play in the psychedelic band Gnoomes, which has shaped a big part of my sound and worldview. I also run Zonned Records, a small label dedicated to releasing music we truly believe in.
Music has always been a guiding force in my life — something sacred that I’ve been lucky enough to carry with me over the years.
You might’ve heard some of my mixes on BBC6 or at the Tate Gallery, or stumbled upon my work through collaborations with bands and labels like Rocket Recordings, Magnetron Music, Duophonic, Sonic Cathedral, and others.
I figured out early on that I’m a bit of a weirdo — and only recently started to truly enjoy that.
Let’s make something weird and wonderful together.
Hey!
My name is Sasha Piankov — I’m a musician and producer based in Slovenia. I play in the psychedelic band Gnoomes, which has shaped a big part of my sound and worldview. I also run Zonned Records, a small label dedicated to releasing music we truly believe in.
Music has always been a guiding force in my life — something sacred that I’ve been lucky enough to carry with me over the years.
You might’ve heard some of my mixes on BBC6 or at the Tate Gallery, or stumbled upon my work through collaborations with bands and labels like Rocket Recordings, Magnetron Music, Duophonic, Sonic Cathedral, and others.
I figured out early on that I’m a bit of a weirdo — and only recently started to truly enjoy that.
Let’s make something weird and wonderful together.
Hey!
My name is Sasha Piankov — I’m a musician and producer based in Slovenia. I play in the psychedelic band Gnoomes, which has shaped a big part of my sound and worldview. I also run Zonned Records, a small label dedicated to releasing music we truly believe in.
Music has always been a guiding force in my life — something sacred that I’ve been lucky enough to carry with me over the years.
You might’ve heard some of my mixes on BBC6 or at the Tate Gallery, or stumbled upon my work through collaborations with bands and labels like Rocket Recordings, Magnetron Music, Duophonic, Sonic Cathedral, and others.
I figured out early on that I’m a bit of a weirdo — and only recently started to truly enjoy that.
Let’s make something weird and wonderful together.
With over a decade in sound, I’ve learned to stay open. Every mix is different — that’s why I try to tune into its frequency rather than impose my own. Whether it’s mixing or mastering, I aim to bring out the best without doing harm.
With over a decade in sound, I’ve learned to stay open. Every mix is different — that’s why I try to tune into its frequency rather than impose my own. Whether it’s mixing or mastering, I aim to bring out the best without doing harm.
With over a decade in sound, I’ve learned to stay open. Every mix is different — that’s why I try to tune into its frequency rather than impose my own. Whether it’s mixing or mastering, I aim to bring out the best without doing harm.
From foley to any kind of audio synthesis — I make sure the worlds we create together sound exactly as they’re meant to.
Whether it’s a quiet scene or a wall of noise, my job is to shape the sound so it feels alive and true to the story.
From foley to any kind of audio synthesis — I make sure the worlds we create together sound exactly as they’re meant to.
Whether it’s a quiet scene or a wall of noise, my job is to shape the sound so it feels alive and true to the story.
From foley to any kind of audio synthesis — I make sure the worlds we create together sound exactly as they’re meant to.
Whether it’s a quiet scene or a wall of noise, my job is to shape the sound so it feels alive and true to the story.
Over the years, I’ve composed music for projects across radio, theatre, and cinema.
In my home studio, I can contribute a single element to your track — or dive into the full production cycle, from sketch to final mix.
Over the years, I’ve composed music for projects across radio, theatre, and cinema.
In my home studio, I can contribute a single element to your track — or dive into the full production cycle, from sketch to final mix.
Over the years, I’ve composed music for projects across radio, theatre, and cinema.
In my home studio, I can contribute a single element to your track — or dive into the full production cycle, from sketch to final mix.
From digital scenography to audio-reactive video — I use a wide range of tools to create images that respond to sound.
Glitches, gradients, movement and mood — I’m always looking for ways to bridge audio and visuals into one narrative experience.
From digital scenography to audio-reactive video — I use a wide range of tools to create images that respond to sound.
Glitches, gradients, movement and mood — I’m always looking for ways to bridge audio and visuals into one narrative experience.
From digital scenography to audio-reactive video — I use a wide range of tools to create images that respond to sound.
Glitches, gradients, movement and mood — I’m always looking for ways to bridge audio and visuals into one narrative experience.